{"id":4732,"date":"2022-06-18T08:03:35","date_gmt":"2022-06-18T18:03:35","guid":{"rendered":"https:\/\/www.service-public.pf\/dcp\/?p=4732"},"modified":"2022-08-18T08:38:01","modified_gmt":"2022-08-18T18:38:01","slug":"les-arts-polynesiens-a-la-biennale-de-paris-hiroa-n176-juin-2022","status":"publish","type":"post","link":"https:\/\/www.service-public.pf\/dcp\/2022\/06\/18\/les-arts-polynesiens-a-la-biennale-de-paris-hiroa-n176-juin-2022\/","title":{"rendered":"Les arts polyn\u00e9siens \u00e0 la Biennale de Paris (Hiro\u2019a N\u00b0176 &#8211; Juin 2022)"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container vct_light_bordered_element nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-background-color:var(--awb-custom11);--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:104%;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:10%;--awb-padding-bottom:10%;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom12);--awb-font-size:50px;\"><h1 class=\"fusion-title-heading title-heading-center fusion-responsive-typography-calculated\" style=\"margin:0;font-size:1em;--fontSize:50;line-height:1.4;text-shadow:5px 5px 5px #333333;\">Les arts polyn\u00e9siens \u00e0 la Biennale de Paris (Hiro\u2019a N\u00b0176 &#8211; Juin 2022)<\/h1><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-background-color:#faf8f8;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:104%;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><nav class=\"fusion-breadcrumbs fusion-breadcrumbs-1\" style=\"--awb-margin-bottom:0px;--awb-font-size:15px;--awb-breadcrumb-sep:&#039;&gt;&#039;;\" aria-label=\"Breadcrumb\"><ol class=\"awb-breadcrumb-list\"><li class=\"fusion-breadcrumb-item awb-breadcrumb-sep\" ><a href=\"https:\/\/www.service-public.pf\/dcp\" class=\"fusion-breadcrumb-link\"><span >Accueil<\/span><\/a><\/li><\/ol><\/nav><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-overflow:hidden;--awb-bg-color:#ffffff;--awb-bg-color-hover:#ffffff;--awb-bg-size:cover;--awb-border-radius:20px 20px 20px 20px;--awb-width-large:75%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.56%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.56%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"--awb-text-color:#330200;--awb-margin-top:20px;--awb-margin-right:30px;--awb-margin-left:30px;--awb-margin-top-small:30px;--awb-margin-right-small:30px;--awb-margin-left-small:30px;\"><h2 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:28;line-height:1.5;\">Les arts polyn\u00e9siens \u00e0 la Biennale de Paris (Hiro\u2019a N\u00b0176 &#8211; Juin 2022)<\/h2><\/div><div class=\"fusion-text fusion-text-1\" style=\"--awb-margin-right:30px;--awb-margin-left:30px;\"><p>\u00ab\u00a0C\u2019est un grand honneur de partir, de montrer mes tressages \u00e0 Paris (\u2026). C\u2019est<br class=\"autobr\" \/>vraiment une grande ouverture pour moi d\u2019aller rencontrer les artistes, de d\u00e9couvrir<br class=\"autobr\" \/>ce qu\u2019ils pr\u00e9sentent. Je vais amener le soleil au Grand Palais\u00a0\u00bb, explique dans un large sourire Vainui Barsinas. Originaire de Rapa aux Australes, la jeune femme est artisane d\u2019art traditionnel sp\u00e9cialis\u00e9e dans la vannerie. Elle travaille en particulier le roseau des montagnes, qui ne pousse qu\u2019au sein de son archipel. Vainui Barsinas est avec Ken Hardie, l\u2019une des deux artisans d\u2019art qui vont s\u2019envoler pour Paris et participer \u00e0 la 5e \u00e9dition Biennale Internationale des M\u00e9tiers d\u2019Art et Cr\u00e9ation qui se tient du 9 au 12 juin. Si les deux autres artistes retenus \u00e0 l\u2019issue de la s\u00e9lection ne peuvent h\u00e9las pas faire<br class=\"autobr\" \/>partie du voyage, leurs oeuvres seront n\u00e9anmoins \u00e9galement expos\u00e9es au Grand<br class=\"autobr\" \/>Palais \u00e9ph\u00e9m\u00e8re pendant les quatre jours que durera l\u2019\u00e9v\u00e9nement.<\/p>\n<p><strong>\u00ab\u00a0Le Grand Palais est un \u00e9crin tr\u00e8s prestigieux <strong class=\"caractencadre2-spip spip\">\u00a0\u00bb<\/strong><\/strong><\/p>\n<p>Et si Vainui Barsinas a le sourire aux l\u00e8vres, elle n\u2019est pas la seule. Le ministre de la Culture et de l\u2019Artisanat et les directrices du Mus\u00e9e de Tahiti et des \u00eeles, de la Direction de la culture et du patrimoine ainsi que la cheffe du Service de l\u2019artisanat traditionnel,<br class=\"autobr\" \/>qui ont oeuvr\u00e9 conjointement \u00e0 la concr\u00e9tisation de ce projet afin de permettre aux artistes et artisans de Polyn\u00e9sie fran\u00e7aise d\u2019exposer pour la premi\u00e8re fois \u00e0 cette biennale parisienne, l\u2019ont \u00e9galement. \u00ab\u00a0Cela fait des ann\u00e9es que l\u2019on travaille sur ce<br class=\"autobr\" \/>projet, les premi\u00e8res discussions ont d\u00fb commencer il y a au moins sept ans (\u2026). Cela n\u2019a pas toujours \u00e9t\u00e9 facile, mais on est vraiment tr\u00e8s contents que nos artisans puissent enfin exposer leurs savoir-faire \u00e0 la Biennale internationale des M\u00e9tiers d\u2019Art et Cr\u00e9ation. Le Grand Palais est un \u00e9crin tr\u00e8s prestigieux\u00a0\u00bb, note le ministre de la Culture et de l\u2019Artisanat, Heremoana Maamaatuaiahutapu, visiblement tr\u00e8s heureux que l\u2019artisanat polyn\u00e9sien puisse \u00eatre d\u00e9couvert et admir\u00e9 par un large public en M\u00e9tropole \u00e0 l\u2019occasion de la Biennale. Intitul\u00e9 \u00ab\u00a0R\u00e9v\u00e9lations\u00a0\u00bb, cet \u00e9v\u00e9nement, organis\u00e9 tous les deux ans, est le rendez-vous incontournable qui c\u00e9l\u00e8bre la cr\u00e9ation fran\u00e7aise et internationale. Pens\u00e9e et cr\u00e9\u00e9e par Ateliers d\u2019Art de France, un syndicat professionnel repr\u00e9sentant les 281 m\u00e9tiers d\u2019art fran\u00e7ais, la Biennale est un v\u00e9ritable lieu d\u2019\u00e9changes foisonnants, rassemblant les professionnels du march\u00e9 de la cr\u00e9ation et les amateurs d\u2019artisanat d\u2019art autour d\u2019oeuvres in\u00e9dites et de savoir-faire exceptionnels. Plus de 500 exposants sont attendus pour<br class=\"autobr\" \/>cette 5e \u00e9dition.<\/p>\n<p><strong class=\"caractencadre2-spip spip\"><strong>Une oeuvre commune sera d\u00e9voil\u00e9e<\/strong><\/strong><\/p>\n<p>S\u00e9lectionn\u00e9s l\u2019an dernier lors de la venue du commissaire d\u2019exposition de la Biennale, Ken Hardie, Heremoana Buchin, Vaihere Tauraa et Vainui Barsinas, sp\u00e9cialis\u00e9s dans le travail de la nacre, du bois et du tressage, incarnent \u00e0 eux quatre la diversit\u00e9 de la richesse de l\u2019artisanat local. Ils proposeront \u00e0 Paris des oeuvres repr\u00e9sentatives de la cr\u00e9ation artisanale polyn\u00e9sienne contemporaine. Les oeuvres seront pr\u00e9sent\u00e9es \u00e0 la Biennale dans le cadre de l\u2019exposition internationale \u00ab\u00a0Le Banquet\u00a0\u00bb, aux c\u00f4t\u00e9s d\u2019oeuvres en provenance d\u2019autres r\u00e9gions ou pays du monde, de la Catalogne, de Chypre, de la Cor\u00e9e du Sud, des \u00c9mirats Arabes Unis, du Luxembourg, du Maroc, du<br class=\"autobr\" \/>Nig\u00e9ria, de la Slovaquie ou encore de la Zambie. Au total, ce sont une vingtaine<br class=\"autobr\" \/>d\u2019oeuvres qui seront envoy\u00e9es \u00e0 Paris, dont une commune r\u00e9alis\u00e9e par trois d\u2019entre eux, Vaihere Tauraa, Ken Hardie et Heremoana Buchin. Pour cette pi\u00e8ce, les trois artistes ont retenu la th\u00e9matique de la couronne ou hei, symbole du lien qui unit l\u2019ensemble des cinq archipels de la Polyn\u00e9sie fran\u00e7aise. En nacre et bois, l\u2019oeuvre entrem\u00eale techniques et symboles, avec l\u2019ambition de repr\u00e9senter la diversit\u00e9<br class=\"autobr\" \/>culturelle de la Polyn\u00e9sie fran\u00e7aise, mais \u00e9galement sa fragilit\u00e9. Maintenue secr\u00e8te,<br class=\"autobr\" \/>elle ne sera d\u00e9voil\u00e9e qu\u2019\u00e0 Paris\u2026<\/p>\n<p><strong class=\"caractencadre-spip spip\">Ken Hardie, tourneur et sculpteur sur bois<\/strong><\/p>\n<p><strong> <i>\u00ab\u00a0J\u2019y vais pour promouvoir la culture et l\u2019art<br class=\"autobr\" \/>polyn\u00e9siens\u00a0\u00bb<\/i> <\/strong><\/p>\n<p>\u00ab\u00a0Je suis tr\u00e8s heureux d\u2019aller exposer \u00e0 Paris, c\u2019est un moment qui ne se produit pas souvent dans une vie d\u2019artiste. J\u2019y vais pour promouvoir la culture et l\u2019art polyn\u00e9siens, pour montrer que l\u2019on est l\u00e0, que l\u2019on a un vrai savoir-faire ainsi que des mati\u00e8res et des techniques qui nous sont propres. Cela m\u2019int\u00e9resse aussi d\u2019y aller, car cela va me permettre de partager, d\u2019\u00e9changer, de d\u00e9couvrir le travail d\u2019autres artistes du monde entier, car il y a des artistes de plus de dix pays diff\u00e9rents. C\u2019est un choc de cultures, c\u2019est int\u00e9ressant d\u2019aller voir ce qui se passe ailleurs. C\u2019est aussi une belle opportunit\u00e9 pour se faire des contacts \u00e9galement.\u00a0\u00bb<\/p>\n<\/div><div class=\"fusion-text fusion-text-2\" style=\"--awb-margin-right:30px;--awb-margin-left:30px;\"><h4><strong>Document \u00e0 t\u00e9l\u00e9charger<\/strong><\/h4>\n<h1 class=\"entry-title\"><a href=\"http:\/\/www.culture-patrimoine.pf\/IMG\/pdf\/hiro_a_no176_les_arts_polynesiens_.pdf\"><span style=\"font-size: 12pt\">Les arts polyn\u00e9siens \u00e0 la Biennale de Paris (Hiro\u2019a N\u00b0176 &#8211; Juin 2022)<\/span><\/a><\/h1>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_4 1_4 fusion-flex-column vct_post_card\" style=\"--awb-overflow:hidden;--awb-bg-color:#ffffff;--awb-bg-color-hover:#ffffff;--awb-bg-size:cover;--awb-border-radius:20px 20px 20px 20px;--awb-width-large:25%;--awb-margin-top-large:0px;--awb-spacing-right-large:7.68%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:7.68%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-center fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-four vct_title_background\" style=\"--awb-text-color:#330200;--awb-margin-bottom:0px;--awb-margin-bottom-small:0px;--awb-font-size:20px;\"><h4 class=\"fusion-title-heading title-heading-center fusion-responsive-typography-calculated\" style=\"margin:0;font-size:1em;--fontSize:20;line-height:1.5;\"><strong>Dans la m\u00eame rubrique<\/strong><\/h4><\/div><div class=\"fusion-recent-posts 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href=\"https:\/\/www.service-public.pf\/dcp\/author\/scppf\/\" title=\"Articles par Hiro CARUE\" rel=\"author\">Hiro CARUE<\/a><\/span><\/span><span class=\"updated\" style=\"display:none;\">2024-04-11T14:09:22-10:00<\/span><h4 class=\"entry-title\"><a href=\"https:\/\/www.service-public.pf\/dcp\/2024\/04\/10\/decouvrez-le-livret-sur-les-taura\/\">D\u00e9couvrez le livret sur les Taura&#8230;<\/a><\/h4><\/div><\/article><article class=\"post fusion-column column col col-lg-12 col-md-12 col-sm-12\"><div class=\"recent-posts-content\"><span class=\"vcard\" style=\"display: none;\"><span class=\"fn\"><a href=\"https:\/\/www.service-public.pf\/dcp\/author\/tauhere\/\" title=\"Articles par tauhere\" rel=\"author\">tauhere<\/a><\/span><\/span><span class=\"updated\" style=\"display:none;\">2022-09-08T10:49:19-10:00<\/span><h4 class=\"entry-title\"><a href=\"https:\/\/www.service-public.pf\/dcp\/2022\/09\/08\/te-tau-matarii-i-nia\/\">Te tau matari&rsquo;i i 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href=\"https:\/\/www.service-public.pf\/dcp\/2022\/08\/11\/la-preparation-du-haari-tutu\/\">La pr\u00e9paration du ha&rsquo;ari tutu<\/a><\/h4><\/div><\/article><article class=\"post fusion-column column col col-lg-12 col-md-12 col-sm-12\"><div class=\"recent-posts-content\"><span class=\"vcard\" style=\"display: none;\"><span class=\"fn\"><a href=\"https:\/\/www.service-public.pf\/dcp\/author\/tauhere\/\" title=\"Articles par tauhere\" rel=\"author\">tauhere<\/a><\/span><\/span><span class=\"updated\" style=\"display:none;\">2022-09-02T10:29:32-10:00<\/span><h4 class=\"entry-title\"><a href=\"https:\/\/www.service-public.pf\/dcp\/2022\/08\/11\/la-preparation-du-faarara\/\">La pr\u00e9paration du fa&rsquo;arara<\/a><\/h4><\/div><\/article><article class=\"post fusion-column column col col-lg-12 col-md-12 col-sm-12\"><div class=\"recent-posts-content\"><span class=\"vcard\" style=\"display: none;\"><span class=\"fn\"><a href=\"https:\/\/www.service-public.pf\/dcp\/author\/tauhere\/\" title=\"Articles par tauhere\" rel=\"author\">tauhere<\/a><\/span><\/span><span class=\"updated\" style=\"display:none;\">2022-09-02T10:30:46-10:00<\/span><h4 class=\"entry-title\"><a href=\"https:\/\/www.service-public.pf\/dcp\/2022\/06\/13\/la-preparation-du-ipo\/\">La pr\u00e9paration du &lsquo;ipo<\/a><\/h4><\/div><\/article><article class=\"post fusion-column column col col-lg-12 col-md-12 col-sm-12\"><div class=\"recent-posts-content\"><span class=\"vcard\" style=\"display: none;\"><span class=\"fn\"><a href=\"https:\/\/www.service-public.pf\/dcp\/author\/veroniquevittoria\/\" title=\"Articles par veroniquevittoria\" rel=\"author\">veroniquevittoria<\/a><\/span><\/span><span class=\"updated\" style=\"display:none;\">2022-02-15T01:35:52-10:00<\/span><h4 class=\"entry-title\"><a href=\"https:\/\/www.service-public.pf\/dcp\/2022\/02\/11\/les-sites-archeologiques-restaures-de-la-vallee-dopunohu\/\">Les sites arch\u00e9ologiques restaur\u00e9s de la vall\u00e9e d\u2019Opunohu<\/a><\/h4><\/div><\/article><article class=\"post fusion-column column col col-lg-12 col-md-12 col-sm-12\"><div class=\"recent-posts-content\"><span class=\"vcard\" style=\"display: none;\"><span class=\"fn\"><a href=\"https:\/\/www.service-public.pf\/dcp\/author\/veroniquevittoria\/\" title=\"Articles par veroniquevittoria\" rel=\"author\">veroniquevittoria<\/a><\/span><\/span><span class=\"updated\" style=\"display:none;\">2022-02-15T01:39:55-10:00<\/span><h4 class=\"entry-title\"><a href=\"https:\/\/www.service-public.pf\/dcp\/2022\/02\/11\/la-preparation-du-monoi-tiare-tahiti\/\">La pr\u00e9paration du MONO\u2019I TIARE TAHITI<\/a><\/h4><\/div><\/article><\/section><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les oeuvres de quatre artistes et artisans d\u2019art polyn\u00e9siens vont \u00eatre expos\u00e9es pour la toute premi\u00e8re fois \u00e0 la Biennale internationale des M\u00e9tiers d\u2019Art et Cr\u00e9ation. Intitul\u00e9 \u00ab R\u00e9v\u00e9lations \u00bb, l\u2019\u00e9v\u00e9nement, qui se tient au Grand Palais \u00e9ph\u00e9m\u00e8re \u00e0 Paris, se d\u00e9roule du 9 au 12 juin prochains. Parmi les quatre artistes polyn\u00e9siens, deux feront le d\u00e9placement dans la capitale fran\u00e7aise.<\/p>\n","protected":false},"author":257,"featured_media":4734,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"none","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[8,55],"tags":[],"class_list":["post-4732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-hiroa"],"_links":{"self":[{"href":"https:\/\/www.service-public.pf\/dcp\/wp-json\/wp\/v2\/posts\/4732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.service-public.pf\/dcp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.service-public.pf\/dcp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.service-public.pf\/dcp\/wp-json\/wp\/v2\/users\/257"}],"replies":[{"embeddable":true,"href":"https:\/\/www.service-public.pf\/dcp\/wp-json\/wp\/v2\/comments?post=4732"}],"version-history":[{"count":0,"href":"https:\/\/www.service-public.pf\/dcp\/wp-json\/wp\/v2\/posts\/4732\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.service-public.pf\/dcp\/wp-json\/wp\/v2\/media\/4734"}],"wp:attachment":[{"href":"https:\/\/www.service-public.pf\/dcp\/wp-json\/wp\/v2\/media?parent=4732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.service-public.pf\/dcp\/wp-json\/wp\/v2\/categories?post=4732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.service-public.pf\/dcp\/wp-json\/wp\/v2\/tags?post=4732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}